Press for El Sonido Nuevo

“This record rocks…” Kim Ruehl, No Depression

“…punchy, propulsive barnburners leveled with unapologetic enthusiasm. They make an emphatic impression straight from the start, as expressed in the relentless rocker “Secondhand Store,” the finger-snapping dynamic of “Tap the Till” and ever-dynamic surge of “Birds of Prey.”  The energy is infused throughout, maintaining the momentum all the way through to the finish, and given the insistent stomp of “The Levees” and the boogie-like shuffle driving “Let Me Out,” success is assured. The result becomes a riveting rollercoaster ride that’s as captivating as it is consistent.”Lee Zmmerman, BLURT

“Moore sounds confident as ever, simultaneously showing off a lilting falsetto and cutting a splintering solo on “Birds of Prey,” pleading for redemption on the pop-blues hybrid “Let Me Out,” and sending the album off with appropriately beautiful shimmer “Sad Affair.” It’s a new sound all right, but one that’s especially satisfying. ” – Jim Caligiuri, Austin Chronicle

“One listen and you’re hooked. Ian Moore’s new CD, El Sonido Nuevo, is his most cohesive record. It plays and feels of a piece, a batch of rock songs that merge melody and mood sharply and succinctly. There’s a Beatles inspired quality to the dozen tunes.But it still emerges as Moore’s distinct artistry as he taps into his arsenal of influences.”- Mario Tarradell, The Dallas Morning News

“Touring on his rocking new album El Sonido Nuevo, Moore drove his amassed throng of cult members to the edge of madness and over Saturday night with a smoking 90-minute show that matches anything I’ve seen in a long time for muscle, smarts, virtuosity, and rock and roll enthusiasm… Moore served notice from the first note that his trio can hang with any band on the planet. Yeah, that good.”  William Michael Smith, Houston Press – Rocks Off’s Must-See Music Picks For SXSW ’11

“Moore’s stylistic reach is broad, from the tightly arranged a cappella intro of “Silver Sunshine” to the superb pop balladry of “Newfound Station” and blues-based punch of “Let Me Out.” At times the music takes on the pop-edged rock sounds of ‘70s bands like Foreigner, Electric Light Orchestra and Pink Floyd, with some David Gilmour-eque guitar adding power to “Hilary Step.” Moore’s a skilled songwriter, managing to close-rhyme “things I’ve missed” with “miscreants,” turning a pep talk into a nervous glance at a darker past, and weaving themes of uncertainty, self-doubt and loneliness into several songs.” – Hyperbolium

“…he can really set a CD player on fire… It’s clear this guy writes and performs gem-like pop songs, and knows how to rip your heart out when his life drifts off the rails.” – Ink 19

“El Sonido Nuevo is gutsy and muscular …without a single bad track…“Belle, My Butterfly” ranking with the best things Ian has ever done. “Salt Mines” and “Silver Sunshine” also make for a sterling two-song run near the end of the record. “Sad Affair” shows that heart can go alongside those cutting guitar licks and resolves the record on a content, hummable melody.”  – Austinme2000.com

” (El Sonido Nuevo is) a guitar-fueled, energetic record with beautiful melodies, intelligent lyrics, and exceptional vocal harmonies. Ian’s passion for music is unmatched, and his attitude and musical integrity will never be swayed by money, critics, or industry trends. He is a true Texas treasure, and his live shows always kick ass.” – Tim Taylor, Jam Magazine

“Largely an uptempo affair, the band tempers velocity by ramping up soulful intensity on the track, Hillary Step, a Pink Floyd-esque number inspired by the story of Texas physician Beck Weathers as a member of the ill-fated 1996 Mount Everest expedition, and the Wilco-flavored album closer, Sad Affair.”  Richard Guerrero Jr., Corpus Christi Caller Times

“…on “Newfound Station” the shuffling rhythm and solid musicianship recall Wilco’s best moments. But power pop fans will flip over “Silver Station” which brings to mind the best Jason Falkner tune he never wrote. The entire album is full of top shelf melodies and Ian’s guitar work is exceptional. This is by far the best alt. country pop album I’ve heard this year. ” Powerpopaholic”

…smart songs that range from pensive to rollicking. Moore’s voice is soulful, and he serves up plenty of hot/cool guitar licks to keep six-string freaks interested.”-Jim Beal, San Antonio Express News

The guitar playing is back up front and center, but doesn’t overpower his storytelling or soulful vocals. And for all the bluesy overtones, Moore still retains his psychedelic undertones.There are bits of blues, The Beatles and Beach Boys in “Hillary Step,” blues-rock in “Secondhand Store” and “Salt Mines” and roots-rock in “Let Me Out.” -  Gary Hizer, Urban Tulsa

Ian Moore uses the word “pop,” and stipulates that his use of the word refers not to the Billboard Hot 100 but rather the classic tradition of punchy three-minute songs with fetching choruses, brisk guitar riffs and earthy touches like a pretty harmony or snapping fingers and handclaps. El Sonido Nuevo is his new album with his band the Lossy Coils (singer/bassist Matt Harris and drummer Kyle Schneider) and it’s stuffed and stitched with such songs that recall bands like Big Star, Rockpile and the Kinks. It’s the latest stop in Moore’s rewarding and varied journey from hotshot guitarist to power pop activist. ” Andrew Dansby, Houston Chronicle

“Ian Moore continues his recent run of first-rate albums with El Sonido Nuevo, …Few artists do power-pop better than Moore, who returns for the first time since 2007′s splendid To Be Loved. Songs such as “Secondhand Store” and “Birds of Prey”rival anything Moore has done before, and he also hits all the right notes on keepers “Newfound Station” “Silver Sunshine” and “The Levees.” There aren’t any real misfires on the 12-track, 43-minute release as Moore remains at the top of his game.” Daily News Pittsburgh

“A Texas music icon”  Jeff Resta, The Examiner (Dallas)

“Singer-songwriter Ian Moore’s current album is an “uptempo affair” that’s a satisfying throwback compilation sure to please any true rock fan.” Sonya Alexander, The  Examiner (National)